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By
Alison Ireland
'A
Christmas Carol', the latest offering from Oxford's ever-exciting
Creation Theatre proved a tremendously heart-warming start to the
Advent period. Performed in the Mirror Tent, up in the windswept
BMW Plant, coats, scarves and gloves were in profusion among the
audience. But they weren't necessary: the Mirror Tent was more than
equal to conditions - it transported us nostalgically to a world
evocative of cabaret, mulled wine and warmth, and the cold December
seemed a distant memory. (The tent is in fact the real thing: one
of eleven remaining 'Spiegeltents' in the world, built in 1908 and
having played host to Marlene Dietrich among others).
Dickens'
novels, with their larger-than-life characters and melodrama always
translate well to the stage, and 'A Christmas Carol' was particularly
effective with its chain-rattling spectres and scenes of festive
merriment. A simple stage-set allowed for slick scene changes, aided
by the intelligent use of lighting. As we sat at our elegant round,
candlelit tables, the action went on all around us as Creation exploited
the spiegeltent's layout for all it was worth.
The
acting was consistently compelling, and interspersed with musical
interludes (original music, courtesy of Annemarie Lewis Thomas)
of singing and dancing which brought the various Christmas tableaux
to flamboyant life. Especially strong was Charles Davies as the
sanguine Fezziwig, and Matthew Hendrickson as the pathetically misguided
and isolated Scrooge.
Dickens
wrote 'A Christmas Carol' at a time when Christmas was falling out
of fashion- at the beginning of the Victorian period the Industrial
Revolution allowed workers little time for its celebration. It has
done much to shape the way we think about Christmas today, with
its emphasis on human contact, generosity and happiness. Perhaps
Dickens is due for a new surge of popularity as the child labour
and poor houses of Victorian England are replaced by the isolation
and security paranoia of the 21st century. His message, in the expert
hands of Creation Theatre, was certainly not lost on the audience
last night.
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